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- <text id=94TT0561>
- <title>
- Mar. 28, 1994: The Arts & Media:Books
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Mar. 28, 1994 Doomed:The Regal Tiger and Extinction
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- THE ARTS & MEDIA, Page 68
- Books
- Self-Love In A Cold Climate
- </hdr>
- <body>
- <p>The latest installment of a historical cycle is crippled by
- author William T. Vollmann's fascination with one character:
- himself
- </p>
- <p>By John Skow
- </p>
- <p> A solipsistic imbalance distorts and threatens to destroy William
- T. Vollmann's brooding, idiosyncratic novel cycle, Seven Dreams:
- A Book of North American Landscapes. Corruption of native inhabitants
- by Europeans is the broad theme of this enormously ambitious
- project, and the first two volumes, The Ice-Shirt, about Greenland,
- and Fathers and Crows, about the settling of Quebec, presented
- the author's bleak argument with stinging force. What he argues
- for is a vision of absolute evil: civilization, native cultures
- not excepted, is a pestilence, and mankind is a monstrous curse
- laid upon nature.
- </p>
- <p> Where the imbalance enters is in an irritating secondary theme,
- scored for piccolo. That theme is William Vollmann, whom the
- author finds boundlessly fascinating. He can't stay out of his
- own novels, and he capers in and out of them, representing himself
- typically as William the Blind, a very clever, very naughty
- historical voyeur. The first volumes of the Seven Dreams cycle
- are successful novels despite Vollmann's frequent first-person
- kibitzing. His new book, The Rifles (Viking; 411 pages; $22.95),
- is an exasperating hash of fiction, op-ed attitudinizing, men's
- magazine heroics, cut-and-paste history and confessional autobiography.
- </p>
- <p> The mixture does not work, partly because the historical and
- the personal plot lines that Vollmann imagines to be parallel
- simply are not. One of the former is the death in 1846 of Sir
- John Franklin and all the members of his British navy Arctic
- expedition, sent to find the Northwest Passage. Vollmann relates
- that event to a glum romance in present time between one of
- the author's fictional alter egos, whom he calls Captain Subzero,
- and a young, deaf Inuit woman named Reepah. Vollmann insists
- at length that Subzero, an Arctic tourist who, as Vollmann himself
- did, makes a two-week trek to the north magnetic pole, is a
- modern counterpart of Franklin. Further and sillier, he imagines
- that Reepah bears some resemblance (or shows some useful contrast)
- to Franklin's wife Lady Jane.
- </p>
- <p> The juxtaposition is absurd: Franklin and his wife fascinate
- historians because they embody so perfectly the courage and
- blind arrogance of 19th century Britain, but Subzero and Reepah
- are simply dreary. And Subzero, picking moodily at the scab
- of his 20th century conscience, fretting that the Inuit find
- him contemptible, giving tips on Arctic trekking (down sleeping
- bags collect moisture and freeze; masturbation at very low temperatures
- isn't worth the trouble) is just not as interesting to Vollmann's
- readers as to the author himself.
- </p>
- <p> Too bad; further volumes may resurrect the promising Seven Dreams
- cycle (of which this is to be the sixth volume in chronological
- order), but for now the tiresome self-indulgence of Rifles has
- stopped it dead.
- </p>
-
-
- </body>
- </article>
- </text>
-
-